Interview With Maninblack
by Steve DIY

I first came across Andre Schlesinger during the 80´s when he was in a an Anti Fascist NYC Oi! band called The Pess. I picked up their split album with ´The Radicts´ on Oi! Records which is a kick ass album by the way - The Press were a great band and one I wished I´d interviewed at the time. It wasn´t until I started using My Space that I came across Andre and his new project Maninblack. After viewing their on-line press pack I decided an interview was in order. Here´s what the main man had to say:

Punk Globe: First off who´s in Maninblack and who plays what?


AS: Right now, officially, it´s just me although I am currently working with a new lineup. I don´t want to mention any names at this point in time in case there are unforeseen problems and I have to sack someone. After Maninblack´s last performance I ended up having to sack everyone for various reasons in the weeks following and it was as if we were just getting underway. At this time the new lineup is all but complete and this is probably one of the last interviews I will do without the participation of the additional members. I´m very pleased and excited with the new lineup, everyone is coming in from other significant bands with lots of experience and individual styles. I think this will be what I consider "the lineup," actual contributing partners in the project, the people I will record and hopefully tour with. Christ, I hope I didn´t jinx myself here!

Punk Globe: Where does the name Maninblack stem from?

AS: The name comes from the urban folk/conspiracy lore of the Men in Black who traditionally like to intimidate people who´ve had encounters with UFOs although the actual phenomena of the Men in Black has been recorded throughout history and as far back as antiquity. Many cultures have a similar figure in their folklore and mythology who serves a similar purpose, that being the intimidation of the uninitiated who have witnessed something they shouldn´t have. Basically the Man in Black character is a sort of modern day boogie man whose intentions are to instill fear in adults rather than children. Oh, and thanks for spelling it correctly and as one word. You´d be surprised how many people keep making the obvious mistakes.

Punk Globe: I like how you´ve incorporated electronics in to your sound but do you think it goes down well with the Oi!/Street Punk purists?

AS: In some respects I´m a purist myself and that being said there has been plenty use of electronics in Oi although not always appreciated. Bands like the Angelic Upstarts and to a greater extent Blitz utilized synthesizers and don´t forget The Oppressed almost exclusive use of Simmons electronic drums. And then there are the experimental bands like Max Splodge and Splodnessabounds and the Geggus brothers as The Postmen. What we´re doing is taking these electronic aspects, stripping them down and retrofitting them into the basic Punk style, kinda like reverse engineering. What I don´t want is to sound like everyone else or, even worse, a certain select few, which is one of the problems I´ve found with most of the so called American Oi sound.

Punk Globe: What gave you the initial idea to incorporate electronics in to your sound in the first place?

AS: I´ve always wanted keyboards on my songs, even back when I was singing in my former band The Press, not only as a special effect on certain songs but more so as organ, piano, and lead synth sounds as a regular part of the band. Of course that didn´t happen but when I decided to put Maninblack together a few years ago I made my mind up that I would attempt to have the sound I had always wanted even if it meant picking up the instruments myself. Other than that I´ve always been a fan of bands like Roxy Music, Gary Numan and Tubeway Army and Kraftwerk and of course I won´t deny a rather obvious influence from The Stranglers.

Punk Globe: How did you go about working with Garry Bushell and how are things working out with him as your manager and you a member of the Gonads?

AS: When I first published Maninblack´s web site (Maninblack: The Official Online Press Kit! www.maninblack.org). I sent out an email to anyone and everyone associated with Oi music and out of the hundreds of messages I sent Bushell was the only one who responded. One thing lead to another and before long Bushell and I were collaborating on various projects and an agreement was made that he would manage Maninblack. As a manager Bushell has been very helpful in terms of production, he´s heard it all and knows if I´m taking things a bit too far in the experimental direction but in the same respect he encourages Maninblack´s unique style and sound. As far as The Gonads is concerned, yes, I´m listed as a member of the band and like I said before I have been collaborating with Bushell on various projects, The Gonads included, although we are still working out the logistics of my participation in terms of recording and live shows. I read your interview with Gal, you´d think after 3 years or more of conspiring he could get my name right!

Punk Globe: You´ve recently been on a Redskin Tribute and an Oi! Compilation put together by Gal so what feedback have you had from fans?

AS: The few reviews I´ve seen are very good and suggest that Maninblack stands out with an authentic yet unique sound. The approach I take to recording cover is to do the songs in a completely Maninblack style which also involves rearrangement an even rewording of lyrics. Lots of people are very curios about the band and we´re getting an overwhelming amount of requests to play.

Punk Globe: From what I read somewhere it said you´re a Satanist - Was that wind up? Does the whole Satan thing go down well in American Oi! Circles as I´d imagined many of those people would be slightly right of centre with christian values?

AS: I´m a priest in the Church Of Satan, ordained by the late Anton LaVey. It´s not really a big deal.

Punk Globe: So Andre is this like a full time job for you playing in bands etc?

AS: In a way I´d like it to be but for the most part the hours I spend writing, recording, promoting, and most of all looking for musicians is a thankless and virtually payless job where the work outweighs the satisfaction. Up until recently it´s been two step forward, three steps back for Maninblack and very frustrating at times reminding me exactly whey I gave up on music after ten years of singing in The Press. Other than music I work as a private investigator but you´d probably think that was pretty boring.

Punk Globe: Now you´ve got the compilation tracks out can we see you doing an EP/album of your own material in the not too distant future?

AS: An EP was planned and went into production last year but had to be scrapped due to problems with band members. Since things seem to be falling together, at least for the time being, it´s probably safe to say that we´ll be releasing a limited edition EP in the near future, probably in the form of a mini CD, and I already have ideas for a full length CD but I think we´ll hold out on that until we have some backing in the form of some kind of record deal. That isn´t to say that we won´t be participating in any more compilations though. I really like doing unique versions of covers and alternative versions of Maninblack´s original material, if nothing else we´re going to leave a legacy of obscure tracks but I think it´s going to be a whole lot more than just that.

Thanks to Andre for taking time out to do this interview. The future looks bright for Maninblack and I wish Andre every success with this project. These are a band to look out for in the not too distant future.

 

 

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